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SI.com
NL West Preview
Evaluating Defense
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Unreliable Relievers
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2006 Emmys Nominees*
*Comedy Series
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*Comedy Supporting Actor
Blue's Clues
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Rookie Actors
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Sublime Slime
Also ...
A Season in Savannah (Stanford Magazine)
Five Questions: Los Angeles Dodgers (2005) (Hardball Times)
Rick Monday (Baseball Analysts)
Baseball's Odd Couple (Baseball Prospectus)
Five Questions: Los Angeles Dodgers (2006) (Hardball Times)
Five Questions: Los Angeles Dodgers (2007) (Hardball Times)
Dodger home record: 50-35 (.588)
When Jon attended: 9-5 (.643)
When Jon didn't: 41-30 (.577)
Dodgers at home: 795-635 (.556)
Jon attended: 302-238 (.559)*
Jon didn't: 498-404 (.552)
* includes road games attended
Current Roster with Estimated 2009 Salaries
(updated November 14)
Most figures are estimates (some are wild estimates) but will be updated as information comes in. Corrections welcome.
More contract details here.
Starting Pitchers (5)
$10,000,000 Hiroki Kuroda
*$475,000 Chad Billingsley
*$415,000 Clayton Kershaw
*$405,000 Eric Stults
*$400,000 James McDonald
*Total: $11,695,000
Bullpen (7)
*$2,500,000 Takashi Saito
*$1,300,000 Scott Proctor
*$1,500,000 Jonathan Broxton
*$425,000 Hong-Chih Kuo
*$420,000 Cory Wade
*$410,000 Ramon Troncoso
*$400,000 Scott Elbert
Total: $6,955,000
Also on 40-man roster
Mario Alvarez
Yhency Brazoban
Greg Miller
Justin Orenduff
Starting Lineup (8)
$17,100,000 Andruw Jones
*$3,000,000 Russell Martin
*$2,500,000 Andre Ethier
*$600,000 Matt Kemp
*$600,000 James Loney
*$500,000 Angel Berroa
*$410,000 Blake DeWitt
*$400,000 Tony Abreu
Total: $25,110,000
Bench (5)
$10,000,000 Juan Pierre
*$600,000 Jason Repko
*$410,000 Delwyn Young
*$400,000 Danny Ardoin
*$400,000 Chin-Lung Hu
Total: $11,810,000
Note: Team can buy out Ozuna's 2009 option for $200,000
Also on 40-man roster
A.J. Ellis
Lucas May
Xavier Paul
Disabled List
$12,000,000 Jason Schmidt
Also Paying ...
$2,000,000 Brad Penny (buyout of $9,000,000 option)
$50,000 Gary Bennett (buyout of $900,000 option)
Note: Kansas City is responsible for $500,000 buyout of Angel Berroa's $5,500,000 option for 2009.
Working total: *$68,020,000
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1) using profanity or any euphemisms for profanity
2) personally attacking other commenters
3) baiting other commenters
4) arguing for the sake of arguing
5) discussing politics
6) using hyperbole when something less will suffice
7) using sarcasm in a way that can be misinterpreted negatively
8) making the same point over and over again
9) typing "no-hitter" or "perfect game" to describe either in progress
10) being annoyed by the existence of this list
11) commenting under the obvious influence
12) claiming your opinion isn't allowed when it's just being disagreed with
Baseball Toaster runs on some experimental software called Fairpole. It's still under development.
For more information, please visit the Fairpole blog, or read the FAQ.
I posted a remembrance of George Carlin at Season Pass on Variety. It's not all-encompassing; it's just a moment that has stuck with me for the past 30 years or so. Alex Belth and Scott Long are also coming to terms with his passing.
Fresno State's pitching coach should be a familiar name to Dodger fans.
http://www.sportsline.com/columns/story/10874562
Nice, I'm sure I missed the debut as I didn't watch SNL until at least 1/2 way into the 1st season. He was probably my favorite comic and he kept it going all the way until the end.
I hope he was wrong in the end about life and that he got a big surprise about what it was all about.
Actually, I am pretty sure that stand up moment happened in 1988. It seems to add up. I think George wanting to know the scores was a product of his passion for the game itself, not as much the Dodgers.
The only other possibilities are 1977, 1978, or 1981.
The episode that forever made me a fan was with host Richard Pryor in Decemeber 1975. Pryor performed in sketches (Carlin did not appear in any sketches), most famously the word association skit with Chevy Chase and a Samurai sketch with John Belushi.
Carlin most famous routine is among the topics in this interview on Fresh Air that was recorded in 2004.
http://tinyurl.com/3zagxt
I remember George Carlin's entire story childhood baseball memories because he had an interview with Kiley and Booms (remember that show?) on Fox Sports Radio 8 years ago. That's my reference for my own anecdote in the last thread.
Jon: This man roughed up conventional wisdom in a way that was almost sweet, the way he brought you along for the ride.
True, well said.
Alex Belth and Scott Long are also coming to terms with his passing.
You "come to terms" with your daughter passing in a freak accident, not some comedian you've never met.
It wasn't until much later I got to hear his signature material on CDs: seven dirty words, baseball and football, and all the rest. He seemed more jovial then, and his voice wasn't even gravely yet. I'm glad I got to enjoy his work that spanned so many year.
Imagine. I'm 2 weeks away from boarding an airline flight to NY, and I'm thinking of his long, hilarious routine about the Airport. I will truly miss the genius of George Carlin.
People who go to Las Vegas, you've got to question their intellect to start with. Traveling hundreds and thousands of miles to essentially give your money to a large corporation is kind of moronic.
Thankfully his final HBO special this year "It's Bad for Ya" was a winner. He had some great bits about obsessive parenting that really hit home. Guy was really a genius.
I again remind that today's Fresh Air dedicated to Carlin can be heard online, too. Check it out. Really interesting insight into his background and influences, too.
--
Off topic, but both Eric Enders and myself are among many to have contributed to this list o' Westerns:
http://www.thecinematheque.com/00_top5_40_westerns.html
(I could probably pick 5 different films and be just as happy.)
http://snltranscripts.jt.org/75/75a.phtml
My dad is crushed - Tim Russert and George Carlin in 2 weeks.
http://www.baseballprospectus.com/article.php?articleid=7163
What to say about Carlin? I remember he seemed more like my friends and I than Belushi, or Cosby, or anybody else. We laughed and riffed off his stuff for days.
And tough guy Walter Brennan as the head of the Clanton family.
1. My Darling Clementine
2. Red River
3. Unforgiven
4. The Man Who Shot Liberty Valance
5. The Ox Bow Incident
BA once had him listed as having the best arm in the organization. He has actually been very good now after a dreadful start and while he probably won't crack the BA top 100, having someone projected as a 4th outfielder is not a bad thing. He doesn't have to be a gold glove CF to be able to play all 3 positions as an extra outfielder.
I don't know who that refers to at all.
That is one silly statement.
2. She Wore A Yellow Ribbon, my favorite of the cavalry trilogy. Combined with Red River, this film gives Wayne a chance to develop his characters.
3. My Darling Clementine, Henry Fonda does a jig.
4. El Dorado, okay this was basically Rio Bravo with James Caan in the Ricky Nelson role, but I loved the interplay between Mitchum and Wayne.
5. The Man Who Shot Libery Valance, Wayne calls Jimmy Stewart pilgrim.
She was really cute in grease...
I'm probably one of the few people here who is so old that one of his all time favorite movies is still a western. :-) But my all time favorite, Shane, didn't make the cut.
Great lists, two that I didn't see mentioned that I liked off the top of my head are Big Jake and Little Big Man.
I don't know how I could do a top 5. I always like challenges like that, I just put in what's in my head at the moment. I've recently seen a bunch of these and I was on a Ford kick for the past year. I will have to check out some that I haven't seen. Sometimes I just see what my Tivo's recorded and watch whatever it is, like The Professionals.
On Dodger Talk, Colletti again implied that he'll trade one or two youngsters only for a "definitive" upgrade that is under contract for longer than 2008
Aren't you missing an "only" in there?
But otherwise:
The Shootist
Stagecoach
Butch/Sundance
Fort Apache
My Darling Clementine
I haven't seen Fort Apache since I was a kid, so I don't know if I'd feel the same way today, but I might have watched it a dozen times back then.
Butch gets knocked down mainly because of those annoying ba-ba-ba-ba-ba singers.
8 - I appreciate the compliment on the one line. But I can come to terms with what I'm going to have for lunch today - I'm not sure that line is worth nitpicking.
He expanded upon what Bill Shaiken said in yesterday's LA Times.
Some others I love but was unable to find room for on my list are Bad Day at Black Rock, The Ox-Bow Incident, and The Shootist.
I need to watch My Darling Clementine again. I've only seen it once, a long time ago, and my reaction might be different now. At the time I thought it was the most visually stunning of Ford's films, but story-wise there's no there there.
The other names mentioned don't strike me as being worth sacrificing long term potential in exchange for short term need.
Boone was great, I almost put that line in my comment so I find it awesome that you did so.
I have to admit I don't think I've seen "My Darling Clementine".
When you pull a gun, kill a man.
Red River
Lonely are the Brave
The Cowboys
The Searchers
Rio Bravo
Cat Ballou
Gunfight at the OK Corral
Broken Arrow
and I really liked the remake of 3:10 to Yuma from last year.
Shame on all of you.
They are listed many times on the list that Underdog linked to.
Eric, yeah I really agree on your "Dances" take, the only other movie I liked Costner in was the one where he's an ex-ball player radio talkie that falls in with a widow. I'll definitely check out some of everybody's recommendations. I really need a new TV. :-)
Someone mentioned Outlaw Josie Wales. That one slipped my mind; it's great.
Also I forgot The Wild Bunch.
43 I hadn't thought of Bad Day at Black Rock as a Western because it's set in present day, as it were, but now that you mention it, it really does fit the mold in many other respects. Such a great script, regardless.
Cat Ballou, young Jane was hot and Lee was the best western drunk ever if you are looking for comedic effect.
And of course, Blazing Saddles speaks for itself.
Just kidding
That's the best part of the movie!
That music is the soundtrack to my life!
At least when I'm fleeing the law.
One of John Ford's better unheralded westerns is "Sgt. Rutledge," starring Jackie Robinson's UCLA teammate Woody Strode in the leading role.
I grew up watching a lot of westerns since my dad was obsessed with them. "The Searchers" was revered in our house, and when VCRs first came out I remember him spending like $75 on a videotape of it. (Yes, kids, VHS movies used to cost seventy-five bucks.) In fact, I was almost named Ethan instead of Eric but my mother nixed that at the last minute.
I'll watch the movie just to hear Val Kilmer deliver that line.
66
No, everything I did in sports was under the name of Go Deep and at 49 I don't think I'd be playing in a flag football league as much as I'd like to:)
http://tinyurl.com/524ooh
"So you're Jack Wilson."
"And what does that mean to you, Shane?'
"I've heard about you."
"And what have you heard, Shane?"
"I've heard that you're a low down Yankee liar."
"Prove it."
Rafer Johnson is also in "Sgt. Rutledge."
Let's just hope Quentin Tarantino doesn't read this thread.
I'm with BH on this one. I liked the Mitchum/Caan combo better.
Just one comment. Back at #50.
Is that all you got?
But when I watched The Searchers, I just thought it was remarkably racist. I could see the appeal outside of that rather major issue, but I just didn't get how I was supposed to get past it. I never revisited it after my first viewing, though I've always suspected I misjudged it.
Eric, what year do you think the song "Black Cowboys" takes place in? What was the channel that showed a Western movie every day?
1. James Caan vs. Ricky Nelson
2. No forced relationship (Angie Dickinson)
3. I liked Dean Martin in his role as the drunk deputy but it just works better with Robert Mitchum as a drunk town marshall.
Now it must be said that the original idea behind Rio Bravo was to counter High Noon's theme of a town not willing to help their marshall (Gary Cooper) in his fight whereas Wayne's friend offers to help and gets killed in Rio Bravo. That element is completely gone in El Dorado.
My final reason on why El Dorado is better, there is a scene where Wayne and Mitchum and company are looking for the men who shot one of the sons of the family whose land the "bad guy" wants and the background music sounds like it is from a "Batman" episode.
The Left-Handed Gun
Hombre
Chato's Land
Valdez is Coming
Bite The Bullet
Hud
Destry Rides Again
No love for Dead Man? (as neo-Westerns go...)
Good questions both, and I have no idea. I've always pictured the song as taking place in the fifties, but I have no concrete reasons for believing that.
The racism of "The Searchers" is a topic that could be discussed endlessly. When I was in college and we watched it in film class, the first question the professor asked afterward was, "Do you think this film is racist, or is it a criticism of racism?" The answers were about evenly split but it seems to me that the obvious answer is "both." Really the only way one can draw the conclusion that the film is blatantly racist is if you believe the film is portraying its protagonist in a positive light. IMO the film's attitude toward the Wayne character is ambivalent at best, and by portraying him as such an oaf, Ford is condemning the character's views on race and his outlook on life in general.
On the other hand, even if you buy that theory, you must still deal with the racism of the scenes involving Look, the Native American wife, which are not so easily explained away.
little Dodger mention in a 1999 interview with The Onion:
O: Well, you more or less hate society anyway, don't you?
GC: Um, I'm very disrespectful of it, and I'm contemptuous of it, but I don't think hate is in me, although we use that word the same way we use love: "Oh, boy, I love ice cream and I hate the Dodgers." But it is a distaste, a contempt, a dissatisfaction, a disillusionment, and a lot of qualities and feelings that come together and appear as anger on stage. I don't experience them as anger; I experience them as a deep distaste.